For example, in multi-track view, while holding the shift or control key and adjusting the volume with your mouse, you can slide the level up fast or adjust it fractionally.Īudition 2.0 also has a new Scrub tool which mimics the effect of manually rotating the wheels of analogue audio. As with other Adobe products, hotkey support is generally good, at least until you drill down to very specific panels for effects settings. There are many ways to adjust volume and pan for a track, by sliding the number reading up or down, typing in a new level, or twiddling the volume button. You can now see at a glance a numeric reading for the level for each track and individual tracks have their own level metres as well. For example, in Audition's multitrack view (called Main), where you organise your various clips, there are improved controls for volume, pan and effects settings for each track. The only drawback with such a flexible workspace is that it's easy to inadvertently obscure some of the controls, especially before you've familiarised yourself with them.Ī less fussy interface doesn't mean less choice. Much of the cleaner look in Audition 2.0 is achieved through better use of toggle buttons and tabs - mainstays of Adobe product design. In terms of design, this is an elegant upgrade, that with all its rounded corners and smooth contours looks more ergonomic, but also that does away with the on-screen clutter that marred the previous version of Audition. PREMIERE PRO 2.0 MOVE AUDIO CLIP TO ANOTHER TRACK FULLAudition 2.0 shares Production Studio's elastic, unified workspace, with custom workspaces, and useful touches like the tilda (~) key for quickly maximising a highlighted panel to full screen. Adobe's professional level audio editor benefits nicely from the new design and integration features of these Adobe Production Studio releases.
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